Peninsula Players Theatre

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

After a car accident, successful novelist Paul Sheldon wakes up in the home of Annie Wilkes, his “number one fan.”  Discovering that Paul has killed off her favorite character (Misery Chastain), Annie tries to coax him into writing a new novel to bring her back.   Frightened he may be more prisoner than patient, Paul writes as if his life depends on it – and perhaps it does.

Adapted from Louisa May Alcott’s beloved novel, Little Women is a delightful musical with soaring melodies and sweeping emotions.  The story of the March sisters is told through the eyes of Jo, an aspiring writer, who entertains and uplifts the family with melodramatic stories of heroes and peril.   Jo, Meg, Beth and Amy take care of one another while finding their own voices and charting their own paths in this timeless story of loves, losses, discoveries and hope.