Mendelssohn’s 2nd Piano Trio is unsurpassed. The way he weaves a Bach chorale melody into the final movement is spellbinding and worth the ticket price alone. Two other trios, each involving the flute of Heather Zinninger, set the stage. Undine Smith Moore’s Suite is hauntingly evocative, while Weber’s Flute Trio shows how much the Romantic Period is indebted to this German master.
The forces of the superb Griffon String Quartet and the Strings of Midsummer join forces under the guidance and example of violinist David Perry in two stunning Octets.
Schubert’s Octet was inspired by Beethoven’s Septet, which was immensely popular. Schubert adds a second violin to the ensemble. It is his chamber music answer to the Great C-Major Symphony—a masterpiece of immense proportions. Gernot Wolfgang joins us to introduce his “Impressions,” which are suggestive of imaginary paintings, “Carnival of Venice,” “Dream,” and “Country Road.” Wolfgang, a Grammy-nominated composer, also uses the same instrumentation – clarinet, bassoon, horn, violins, viola, cello, and bass – as the Beethoven Septet in his energetic, novel, and delightful addition to this illustrious repertoire.
